AM Technical Profile: WLOR
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- Frequency:
- 1550
- Format:
- Classic
Hip-Hop/R&B
- Transmitter
Location:
- [map]
[street
view] [bird's
eye] West of Pulaski Pike, south of Beaver Dam Road, west of
Hereford Cemetery.
- Power (ERP):
- Day: 50 kW
Night: 500 watts
- Antenna:
- Day & night:
3 towers [pattern
- PDF]
- Other
Information:
-
0.5 mV/m
Daytime
Groundwave Service
Contour from the
FCC's Public Files
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[Studio]
Street View imagery of the Rocket City Broadcasting studios at The
Boardwalk in Huntsville.
// W298BZ Huntsville, AL (silent)
// WAHR HD2 Huntsville, AL
// W251AC Capshaw, AL
:
PS-[?]
Time-[?]
Text-(artist/song)
PTY-[?]
PS-WLOR-FM
Owned by Southern Stone Communications
Silent
- History:
- Some of this
history was taken from the WAAY-TV
history
page.
The Huntsville Times newspaper put this station on the air in
1947. It started off as a 250 watt signal on 1490 kHz, as
WHBS. The studios were going to be at the corner of Gallatin
Street and Clinton Avenue in downtown Huntsville, while the
transmitter (a Western Electric 451-A-1) operated from the corner of
O'Shaughnessy Avenue and County Road. Instead, by the time the
station signed on, the studio was operating from the transmitter
site. Today, this site is better described as 905 Church
Street NW, a block south of Cook Avenue NW. Shortly after
going on the air, the station sought a move to 930 kHz, with 1 kW
days and 500 watts night from a transmitter site on Martin Lake
Road, a few miles north of downtown. That facility was never
built out and the permit dismissed in 1949.
Less than a year after signing on this station, The Huntsville times
launched an FM companion on 95.1 MHz, with 15 kW, as WHBS-FM.
In 1953, the station moved to 1550 kHz, and raised daytime power to
5 kW, with 500 watts at night and different directional patterns day
and night. The daytime directional pattern was dropped in
1954. The format around this time was Adult Easy
Listening. The station was acquired by Smith Broadcasting in
1958. They flipped the format to Top 40 and changed calls to
WAAY. Some DJs quit because they didn't like the "new sound",
and a petition was circulated to do away with rock and roll radio in
town. It must have little effect, because by 1963, this was
Huntsville's dominant Top 40 player.
Smith Broadcasting purchased the struggling TV station WAFG in 1963,
changing it to WAAY-TV.
The station debuted a much more powerful daytime signal in 1980,
when it added a 50 kW daytime signal broadcast from a new site off
Pulaski Pike. The directional nighttime signal remained 500
watts, from the older site closer to Huntsville.
Interestingly, there was a petition to deny the upgrade filed by the
station's in-town rivals at Powell Broadcasting, but that petition
was denied. In 1983, the station began broadcasting in the
Kahn stereo system. Unfortunately, despite stereo sound and a
bigger signal, the 80's were the end of Top 40's AM era. That
year, Athens-licensed 104.3 MHz flipped to Top 40 as WZYP and
immediately dominated the ears of local listeners. Around the
same time, the owner, M. D. Smith, III, had a heart attack.
The station finally gave up and changed to a Satellite Music
Corporation-fed Adult Contemporary format in the winter of
1985. The station suffered several years of financial losses,
and was taken off the air in 1988 while the estate of Mr. Smith
looked for new buyers. United Communications purchased the
station for $300,000 in 1989 and returned it to the airwaves with a
Black Gospel music format as WAAJ.
The station suffered heavy financial losses and was off the air
again in the early 90s. In 1992, the original studios were
demolished, and the old equipment and transmitter were sold
off. Ownership of the license reverted back to the Smith
family estate. A minority partnership known as M. B.
Associates purchased the station in 1993 and returned it to the air
with a Black Gospel format, as WLOR.
The station was acquired by STG Media in mid-2000. They
flipped the format to Urban Oldies as "Jammin' 1550". In early
2001, the oldies were de-emphasized at the behest of the Tom Joyner
Morning Show. The station flipped to a regular Oldies format
in June 2008, when it picked up the satellite-fed "Scott Shannon's
True Oldies" format from ABC Radio Networks. A year later in
June 2009, the station picked up its first FM translator,
Capshaw-licensed W251AC on 98.1 MHz.
STG Media eventually became known as Black Crow Radio, LLC; they
filed for bankruptcy in 2010 and sold the station to Southern Stone
Communications in December 2011. In
the early spring of 2014 the station shifted focus back to Urban
Oldies, picking up the Steve Harvey Show from the now-defunct
Hot 103.5. In March of 2016 the translator changed from a
directional antenna pattern to a non-directional one, albeit
with slightly less power; the end result was still improved
coverage of the metro area. Around this time it was noted
that the format was tweaked a bit to include the occasional
current hit, not just old school R&B hits.
In early December 2016 the station received a permit to cut the
daytime power from 50 kW to 28 kW, and to drop from 500 to just
15 watts at night, and to drop the three tower directional array
completely. This change appears to have
never been carried out, and the permit expired unbuilt.
The station flipped from its
longtime urban oldies format to classic hip-hop and R&B as
"98.1 The Beat" on 1 February 2017. The station
signed on a second translator at 107.5 MHz, W298BZ, in early March
2019. In the fall of 2019, the Classic Hip-Hop/R&B format
migrated solely to the 98.1 translator and WAHR-HD2, while this
station and its remaining translator flipped to Christmas Music as
"Christmas Star 107.5", acting as an extension of Southern Stone's
Star 99.1.
Although a format change was expected after the end of the Christmas
music season, the station instead returned to the Classic
Hip-Hop/R&B format heard on WAHR-HD2.
In late May 2024 the station filed a Special Temporary Authority
(STA) to remain silent citing the loss of their transmitter
site. Because translator W298BZ is tied directly to the
station, it was also forced to go off-air.